Treffer: "Writing the memory of the Shoah at the turn of the century"
Beteiligt:
Veröffentlicht in:
Journal of Modern Jewish Studies. - ISSN 1472-5886. - 5,2 (2006)
Entstehung:
2006
Format:
Sprache:
Englisch
Anmerkungen:
Schulte Nordholt, Annelies. An introduction. 183-187.
Sicher, Efraim. "Tancred's wound": from repression to symbolization of the Holocaust in second-generation narratives. [Discusses Anne Karpf’s "The War After" (1996) and the 1998 movie "Left Luggage" (based on a novel by Carl Friedman), as well as David Grossman’s "See Under: Love" (1985) as examples of how traumatic knowledge is accessed through literary narratives and the imagination, rather than historical events.] 189-201.
Ibsch, Elrud. Comfort and scandal of memory: Anne Michaels and Amir Gutfreund - two authors of the second-and-a-half generation. 203-212.
Zeitlin, Froma I. Imaginary tales in the land of the perpetrators. [On Marcie Hershman, Gila Lustiger and Rachel Seiffert.] 213-228.
Hirsch, Marianne; Spitzer, Leo. What's wrong with this picture? Archival photographs in contemporary narratives. 229-252.
Sicher, Efraim. "Tancred's wound": from repression to symbolization of the Holocaust in second-generation narratives. [Discusses Anne Karpf’s "The War After" (1996) and the 1998 movie "Left Luggage" (based on a novel by Carl Friedman), as well as David Grossman’s "See Under: Love" (1985) as examples of how traumatic knowledge is accessed through literary narratives and the imagination, rather than historical events.] 189-201.
Ibsch, Elrud. Comfort and scandal of memory: Anne Michaels and Amir Gutfreund - two authors of the second-and-a-half generation. 203-212.
Zeitlin, Froma I. Imaginary tales in the land of the perpetrators. [On Marcie Hershman, Gila Lustiger and Rachel Seiffert.] 213-228.
Hirsch, Marianne; Spitzer, Leo. What's wrong with this picture? Archival photographs in contemporary narratives. 229-252.
DOI:
10.1080/14725880600741532